Brothers Andy and Brian Le play the aggressors in that scene, and they’re also the movie’s fight choreographers. Meanwhile, the 2018 Oscar-nominated documentary Minding the Gap is among the most quietly powerful explorations of the generation gap, centered on three young skaters (one Asian-American) growing up in the Rust Belt.īut maybe you’re just here for the wild antics and action sequences, like Everything Everywhere’s infamous trophy fight. Joy’s sexuality is a source of conflict in the film, and more of that can be seen in Alice Wu’s 2004 comedy Saving Face, a dramedy about a young lesbian Chinese-American who’s estranged from her 49-year-old mother until one day she shows up pregnant. Even basic communication becomes an ordeal, highlighted by how Evelyn speaks Cantonese to her father, Mandarin to her husband, and Chinglish to her daughter Joy ( Stephanie Hsu). Nestled within Everything Everywhere are themes of intergenerational trauma and families broken by emotional and physical distances. More multiverse romps include Spider-Man: Into the Spider-Verse, the Jared Leto romantic fantasy Mr.
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That 2001 Jet Li movie is also about different realities clashing together for some ridiculous fun. Incidentally, Quan was an assistant director on 2046, and did behind-the-scenes action work on The One. These aching, misty neon scenes are an ode to Wong Kar Wai’s films, especially In the Mood for Love and 2046. But beyond the jokes, Quan absolutely crushes it in Evelyn’s movie star universe as a dramatic romantic figure.
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Naturally, Daniels include callbacks: Quan repeats the “very funny” line he says often in Temple and, like Data, gets a lot of mileage out of a fanny pack. Audiences know him as Data from The Goonies and Indiana Jones and the Temple of Doom’s Short Round. Ke Huy Quan co-stars as Evelyn’s husband Waymond in his first major role in 20 years after exiting the industry for lack of work. Check out Hong Kong action classic Supercop, in which she holds her own with Jackie Chan Supercop 2, where Yeoh takes the lead and international breakthrough Crouching Tiger, Hidden Dragon. Everything Everywhere encourages viewers to explore Yeoh’s filmography. Yeoh calls the role “something I’ve been waiting for, for a long time.” It’s a statement that’s at first surprising considering how long and successful her movie career has been, but then sad considering all the opportunities that have likely vanished for even a legendary Asian actress in her 50s. Daniels are open about The Matrix’s influence on their movie, and like the 1999 sci-fi classic, they transform a mundane hero ( Michelle Yeoh’s Evelyn Wang, just trying to do her taxes) into a vessel for conjuring alternate realities, personalities, and philosophies to undercut modern-day nihilism.
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This sincere blend of pathos and the absurd has been the early signature of directors Dan Kwan and Daniel Scheinert, aka Daniels, and they crank it to maximum heat for Everything Everywhere. For that 2016 movie, people came for the farting corpse of Daniel Radcliffe, but stayed for the left-field feels.
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If you recently fell in love with some multiverse madness (sorry Doctor Strange, you just got upstaged), here are 17 more movies like Everything Everywhere All At Once that share some cinematic DNA in their stories, themes, and stars and artists.Īn easy, slightly sloppy way to describe Everything Everywhere All At Once is that it’s like The Matrix filtered through the demented mind prism of the guys who made Swiss Army Man. (Photo by A24/ courtesy Everett Collection) 17 Movies To Watch If You Loved Everything Everywhere All At Once